Is rue gay in euphoria
The Unicorn Scale: Euphoria
You may have heard of the 2019 HBO show Euphoria ; words prefer "controversial" and "daring" have been mentioned in more than one review. Honestly, we'd be unhappy if the blazing new HBO display was missing that edgier element. However, I also create the show incredibly relatable.
The problem of representation is always about walking a fine line. Most people aren't flawless, yet many shows interpret positive inclusion as showing underrepresented groups as correct humans. I affectionate media that shows the "messy" bis . It is challenging, but so much more relatable to see bi characters that are not perfect. It is possible to show flawed bi people whose flaws are not symptoms of their bisexuality. So, of course, I had to check out this show full of messy bis.
Euphoria is a teen drama that follows Rue (Zendaya) and her peers as they navigate devotion, sex, sexuality, trauma, addiction, friendship, and, of course, Lofty School in a fictional small town in Southern California. It also features a great soundtrack, beautiful cinematography, and possibly more lovely people.
From here on out, there will be SPOILERS . Also, i
LGBTQ+ representation in Euphoria
From its first episode, the HBO unique series “Euphoria” has drawn both excitement and controversy, debates sparking over its choices regarding explicit content and its portrayal of drug use. People locate it shocking and vulgar but simultaneously intriguing and even applicable to their own lives, especially regarding main characters being openly lgbtq+, something that not a lot of TV shows possess. In season one, we get a relationship between two female main characters, Rue and Jules. While fundamentally flawed due to each having their control unresolved issues, they somehow still distribute a tender and romantic relationship without being sexualized in the way a lot of female/female relationships in media tend to be. Sam Levinson, the only writer for the show, seemed to find a way to offset gritty drama with aesthetics.
And yet, season two has shown that, maybe, Sam Levinson should not be the sole writer of this show. Amid gut-wrenching scenes of overdoses and withdrawals is a take on sexual orientation and power dynamics that becomes more questionable as the episodes go on.
In between seasons one and two, “Euphoria” position out two extraordinary episodes, one f
Over the past few weeks, the HBO hit exhibit Euphoria has kept us glued to our TV screens, waiting with bated breath to find out what will happen to our favorite characters, especially Jules (Hunter Schafer) and Rue (Zendaya). It’s no wonder the show has become the most tweeted-about show of the decade. In the finale, Rue says that Jules was her first love, but I would honestly desire to see both characters in a healthy relationships with different characters next season.
There is something refreshing about the portrayal of Rue’s and Jules’s bond. Rue is a genderfluid lesbian in love with Jules who is trans. I love that in both seasons of the show, their sexualities and gender identities are only secondary to the demons they are trying so hard to slay. In the second season we saw a lot of growth in their association. This was the first time we saw both of them not only acknowledge their feelings for one another but also truly act on them.
Euphoria’s relaxed portrayal of their courtship has been superb but I question if Rue will be okay once she learns about Jules’s little rendezvous with Elliot. As much as they both seem sexually open, adventurous, and fluid, will
In recent years, LGBTQ+ representation has increased tremendously in the movie and television industry. The 21st century has witnessed phenomenal movies representing the LGBTQ+ community, resulting in an evolution from films featuring first none to one stereotypical or sociopathic queer ethics to now a handful of characters with diverse sexual expressions.
With the increased representation of the LGBTQ+ community, prejudice has decreased precipitously as queer folks are no longer represented as repressed individuals who are bullied and looked down upon for organism themselves. However, according to a recent study from Elon University titled “Representing Sexuality: An Investigation of Coming Out in Contemporary Film,” just 12.8 percent of major studio films released in 2017 included a LGBTQ+ nature. Furthermore, only 64 percent of those characters were “tied into the plot in such a way that their removal would have a significant effect” and were not “solely or predominantly defined by their sexual orientation or gender identity.”
Clearly, there is still room to grow, but we have come a extended way from the cliche socially isolated gay characters. Before 2000, most queer characters w