Was salvador dali gay
The art world is full of adore stories that often become an significant source of inspiration for all kinds of creations. Some of them are pretty self-explanatory, and the clearest examples happen in the music industry, where the fact that a guy sings to a miss he loves leaves no room for imagination. But there’s also the exception to the dictate, when we own literally no thought who was the muse for specific artwork. Explicit or not, all creations inspired by any kind of care for are equally gorgeous.
There is also another type of love chronicles that we may never heard of, and actually turn out to be cute interesting and relevant to the art world. Those are stories that, for a while, were kept hidden, but with the passing of years, these tales resurface, telling a side of history we didn’t know until now. Such is the case of Salvador Dalí, the well-known surreal and quirky artist, and his controversial relationship with the Spanish poet, Federico García Lorca.
Dalí and García Lorca met in Madrid, in 1923, along with the filmmaker Luis Buñuel and the legendary writer, Pepín Bello. All four of them formed a strong friendship during their student years while they lived at the Re
…one ought to be able to hold in one’s head simultaneously the two facts that Dalí is a good draughtsman and a disgusting human being.
George Orwell
This two-part, two-hour TV documentary from 1997 has a title that makes it sound like more of an exercise in audience pandering than was typical for the BBC’s Omnibus arts strand, fame and shame being qualities that might be considered of greater interest for the general viewer than art history. But Michael Dibb’s film is more insightful than those made 20 years earlier when access to the Dalí circle, and to Dalí himself, required flattery and capitulation to the artist’s whims and attention-grabbing antics. In place of the impersonal approach taken by the BBC’s Arena documentary from 1986 we have scribe Ian Gibson serving as a guide to Dalí’s life while conducting research into a major biography, La vida desaforada de Salvador Dalí (The Shameful Existence of Salvador Dalí), which was published a year later. “Shame” here refers more to Dalí’s numerous fears and phobias, especially those of the sexual variety, rather than to scandal and public opprobrium, while “
Miranda France
If one goal of modern biography is to lay bare secrets and perversions, then Salvador Dalí must necessarily make a disappointing subject, for he spent a lucrative lifetime laying them all bare himself. Few are the Dalí paintings that generate no reference to masturbation, castration or father-hatred. As for vanity, which biographers usually pounce on, one of Dalí’s earliest diary entries reads: ‘I am madly in love with myself.’ That love affair continued throughout his animation, which may have brought the artist solace, as he successively alienated friends and family.
Dalí claimed not to have ‘the slightest problem in making universal my most shameful desires’. He talked freely of his difficulty in achieving an erection and his horror of female genitalia. Yet, one of the aims of Ian Gibson’s thorough and beautifully written book is to illustrate that the artist was also motivated by fears he chose not to express. There is some evidence to support this. Dalí never confessed to the homosexual instincts which seem powerfully expressed in some of his paintings. In later life he is known to hold resorted to anti-depressants.
In his autobiography, The Secret Experience of Salvador Dalí,
Federico Garcia Lorcawas born in 1889 in Spain. Throughout his life, he worked as a playwright, a theatre director, and a poet. He gained recognition when he united Generation of ‘27, a group predominantly comprised of Spanish poets who wanted to share their avant-garde poetry and art with people.
Many people don’t distinguish Federico Garcia Lorca as an LGBT poet. Lorca’s homosexuality was something that he struggled with throughout his whole career. Occasionally, it appeared in his work, but wasn’t an identity he could proudly divide. As an article from The Independent explains, “for decades Spain’s literary establishment, and even his own family, refused to acknowledge that the country’s optimal loved poets, Federico Garcia Lorca, was gay.”
Lorca’s biographer, Ian Gibson, also explained that his “works were censored to conceal his sexuality.” In fact, it wasn’t until nearly 45 years after his death that his sexuality was widely acknowledged and accepted. As Gibson said, it was because “Spain couldn’t accept that the greatest Spanish poet of all hour was homosexual.”
Lorca worked closely with Salvador Dali, a Spanish surrealist artist, and the two became long-ti